My journalistic debut for In Retrospect magazine

Image rozrussell.com

I have become a 'reader' at the British Library, and a 'writer' for In Retrospect magazine.

The former feeds my need to look at vintage knitting patterns all day long. (It doesn't fulfill my need to own them, but I'm hoping that will follow, before I have to re-mortgage the house to pay for them).

The latter is something I have never done before, and it was one of the hardest things I have ever undertaken. Anyone who thinks writing is a doddle is either a natural, a genius, or has never tried. I have so much respect for good writing. Many of my friends make it look effortless, from music journalists to novelists.

Mat Keller asked me to write a piece about the music of the 1930s after hearing me play it at my house when he came to interview and photograph me for his Southern Retro series for In Retrospect magazine. He had also seen the Shellac Sisters in action at the Rivoli Ballroom several years ago. I kept jumping up and changing the song every 3 minutes, and I expect my passion for the hot dance music of the 1930s became apparent, if somewhat annoying. It was really important for me to have the music I love playing while being photographed wearing clothes from that time. (It helped with the nerves, as it was still too early for cocktails!)

Image Mat Keller for the Southern Retro Collection

Naturally I chose to wear knitteds. This is my cable jumper, a Copley's pattern from 1940, worn over my now threadbare 1940's day dress.

Image Mat Keller for the Southern Retro Collection

The hat is a design I haven't released yet, called 'Hat with a Tilted Brim'. It is crocheted in Fenella 2 ply wool, by Susan Crawford Vintage.

Image Mat Keller for the Southern Retro Collection

The wool cupboard, in its untidy state. (Did you notice the moth killer at the back? Oops.) Here I'm wearing a 30's full length floral dress, which is a favourite, and goes very well with my 'Draped Beret'.

Image Mat Keller for the Southern Retro Collection

Here I am on a typical day, lounging on the sofa, reading The Needlewoman, and deciding where to lunch (I wish). I'm wearing The Rose Jumper from A Stitch in Time Vol 1.

I got very nervous when the magazine arrived, but my article was there, as well as the Southern Retro interview. There was a lovely article by Miriam McDonald about vintage caravans, and why they make such a great holiday choice for accommodation. I also enjoyed her piece in the last issue about Jazz Age holidays, which included the hotel I long to visit - The Burgh Island Hotel.

It was grand meeting Mat, and we had a good chat about everything from babies to bakelite, and, of course, 78s and vintage knits.

Theodora.

Free Pattern Friday - a prize winning jumper

This pattern is from The Needlewoman magazine from July 1934. Worked in 'Viyella' laceweight wool in red, white and blue. To fit a 34 inch bust. (The pattern is at the end of the post).

I chose this design because it took first place in The Needlewoman competition, but also because they name the designer. '...an original design by Miss E. W. Fisher...'

The 'house' designers working for magazines had no such fame, they anonymously toiled away, churning out designs week after week, unaware that their work would be so highly regarded 80 years later, (by me at least). I would absolutely love to know who they were, what they thought of their job, and how much they were paid in comparison to clothes designers. The couturier Schiaparelli occasionally designed for The Needlewoman in the 1930s, to great acclaim.

Schiaparelli - The Needlewoman

It is a very structured jacket, but I personally don't think it is as attractive or imaginative as the jumpers being designed by people who worked for the big knitting magazines like Stitchcraft, Good Needlework & Knitting, and Woman's Weekly. It is just a tailored jacket in knitted form. It was popular for that very reason; it successfully resembles a jacket sewn in fabric. A jacket smart enough for a lady to go riding in.

I have also included the page on which the runners up and their designs are featured. It is fascinating reading (for vintage knit geeks). First prize was three guineas, and the 'consolation' prize one guinea. This competition was so close for runner up that a third place was awarded for the 'Harlequin' jumper, also an original design. It was let down only by the neck shaping and fit. I would have awarded it first place! It is by far the most fun.

What I also find interesting is the design that took second place (below), designed by a 'mere male!' This is actually the jumper I would be most likely to knit, but the 'Harlequin' jumper is still the most fetching, with it's contrasting bow neckline and belt.

Here is the pattern for the prize-winning jumper.

I hope you like it.

Theodora.