My journalistic debut for In Retrospect magazine

Image rozrussell.com

I have become a 'reader' at the British Library, and a 'writer' for In Retrospect magazine.

The former feeds my need to look at vintage knitting patterns all day long. (It doesn't fulfill my need to own them, but I'm hoping that will follow, before I have to re-mortgage the house to pay for them).

The latter is something I have never done before, and it was one of the hardest things I have ever undertaken. Anyone who thinks writing is a doddle is either a natural, a genius, or has never tried. I have so much respect for good writing. Many of my friends make it look effortless, from music journalists to novelists.

Mat Keller asked me to write a piece about the music of the 1930s after hearing me play it at my house when he came to interview and photograph me for his Southern Retro series for In Retrospect magazine. He had also seen the Shellac Sisters in action at the Rivoli Ballroom several years ago. I kept jumping up and changing the song every 3 minutes, and I expect my passion for the hot dance music of the 1930s became apparent, if somewhat annoying. It was really important for me to have the music I love playing while being photographed wearing clothes from that time. (It helped with the nerves, as it was still too early for cocktails!)

Image Mat Keller for the Southern Retro Collection

Naturally I chose to wear knitteds. This is my cable jumper, a Copley's pattern from 1940, worn over my now threadbare 1940's day dress.

Image Mat Keller for the Southern Retro Collection

The hat is a design I haven't released yet, called 'Hat with a Tilted Brim'. It is crocheted in Fenella 2 ply wool, by Susan Crawford Vintage.

Image Mat Keller for the Southern Retro Collection

The wool cupboard, in its untidy state. (Did you notice the moth killer at the back? Oops.) Here I'm wearing a 30's full length floral dress, which is a favourite, and goes very well with my 'Draped Beret'.

Image Mat Keller for the Southern Retro Collection

Here I am on a typical day, lounging on the sofa, reading The Needlewoman, and deciding where to lunch (I wish). I'm wearing The Rose Jumper from A Stitch in Time Vol 1.

I got very nervous when the magazine arrived, but my article was there, as well as the Southern Retro interview. There was a lovely article by Miriam McDonald about vintage caravans, and why they make such a great holiday choice for accommodation. I also enjoyed her piece in the last issue about Jazz Age holidays, which included the hotel I long to visit - The Burgh Island Hotel.

It was grand meeting Mat, and we had a good chat about everything from babies to bakelite, and, of course, 78s and vintage knits.

Theodora.

E17 Art Trail

It's nearly the start of the E17 Art Trail in Walthamstow. For the first time since I've lived here, I am taking part. I'm very excited about it, but also quite nervous. My good friend Helen Reed invited me to join her for 'A Life of Skein'. We're venue number 11 on the programme.

 Photo courtesy of The Wool Kitchen

Photo courtesy of The Wool Kitchen

We will be hosting it over two days. On Friday 5th June from 10am - 3pm, and Sunday 7th June from 11am - 5pm. our aim is to 'Bring you knitting, crochet and spinning for knit and chat in the garden.'

Helen will be showcasing her hand-dyed yarns, of which she has many! In all weights, from lace weight to super chunky (above), and in a myriad of colours, solid and variegated.

I'm using a 2 ply Exmoor Blue Faced Leicester for my Moss Stitch Beret, which I will release as a pattern for the Art Trail.

It's lovely wool to knit with, super soft and fluffy.

Photo by Wozza

The Moss Stitch Beret in 4 ply alpaca.

This version is in an aran weight silk and alpaca blend.

Photo by Mike D

This is a pattern I had almost forgotten about: Pom Pom Beret. I previously released it as a kit with Abstract yarn shop in Walthamstow village, run by Alessandra Rigillo.

I'm using one of Helen's 'urban hand-dyed' yarns for this one: Another Blue Faced Leicester in an aran weight, so it knits up nice and quickly. It is a super easy pattern, perfect for a beginner. It uses only the knit stitch (garter stitch), with some decreases to shape the top. It has to have pom poms - the bigger, the better.

If you want to see more of her hand dyes, take a peek here.

Photo by Mike D

I seem to be big on the hat knitting. Hmm. Here's my 'Beret for Everyday'. This was done in Excelana, which is - you guessed it - Exmoor Blue Faced Leicester! This pattern will be available at the Art Trail, too.

Let's hope lots of people turn up, or we'll be getting through a lot of tea and cakes ourselves! If you are in Walthamstow, please do come and join us and say, 'Hello'. We aren't bitchin' (like in the photo below), we're just knitting nerds. But then, if you read this blog, you'll know that about me.

We won't be dressed like this, either. There will be more wool. A lot more. I hope it's not too warm out.

Theodora.

Free pattern Friday

Not an original idea, but a great one. Lots of lovely bloggers, including Wendy at The Vintage Pattern Files, post free knitting and sewing patterns. They are usually posted on a Friday, so who am I to argue? Here's my first free pattern for you:

 

 

This was one of the first successful vintage jumpers I completed, back in 2004 (10 years ago already). I was seriously pleased with it. I didn't know much about tension then, and don't even think I tested it. The yarn I used was from The Handweavers Studio when it was still near me in Walthamstow. A soft merino, it came on little cones. The pattern called for a 2 ply - I still don't know the exact weight of the yarn. It came out very well, except it was far too short. I ended up having to pick up along the hem and adding some more ribbing.

This is something I am aware of now - my long torso, and measuring the length before I start the armhole shaping. I think most knitters have to add length to vintage jumpers now - we're taller, and broader. You just have to look at the models in patterns from the 30s, and they were slight - narrow shoulders, small busts, slender hips, like this lady:  

I love that pose, and her regal face. The column is pretty awesome too.
I modified the jumper, using the yoke of this pattern:

I liked the effect so much, I knitted one in red.

This time I added extra pattern repeats, giving a slightly more relaxed fit. I used Misti Alpaca lace.

Here is another pic of me wearing it in a more 50s beatnik style with my Shellac Sisters, at a gig we did in South London somewhere.

So that's my first free pattern, but not the last. I hope you like it.